Performing Arts
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Performing Arts *
Collaborations and costume design.
Costume Designer, Hamburger Sprachwerk, Hamburg 2022.
We celebrate the self-confusion of identities. AFROCONFUSIONIST is an open examination of the term Afro - its roots and its diverse overlays with contradictory attributions in today's world. Afro: a condition, a feeling, an origin, a style of music, a political statement, a term that raises questions. Together with a team of four dancers and two musicians, the Nigerian choreographer Israel Akpan Sunday invites you to a poetic jam session that brings dance and music together and, with the mixture of political and cultural-historical references, styles and feelings, creates the largest possible one trying to create confusion. The Confusionist is an equilibrium of indecisiveness in which one can also be the other. It is the never-ending confrontation in gentle aggression, divisive love and vague clarity with no prospect of salvation - the perfect state to finally meet again with fragile confidence in glorious demarcation. As an interdisciplinary artist, Israel Akpan Sunday's pieces explore the sociological, political and economic problems of today's society and question the underlying systems. His performance style is characterized by a fusion of everyday movements and behaviors with contemporary dance and the constant integration of live music. His works are political and demanding, as well as poetic and sensual at the same time. Driven by a drive to explore and develop Nigeria's multicultural resources, Israel Akpan Sunday's plays always engage deeply with his native country, Nigeria. He currently lives and works as a choreographer and musician in Hamburg.
“Afroconfusionist”
Costume Designer, exploring Herrero costume, Hamburg 2022.
INTERNATIONALES SOMMERFESTIVAL Kampnagel, Hamburg 2022
Performers from Windhoek occupy the public space for a moment to expose their artistic interpretation in the context of decolonization in dance interventions. Hamburg's history with its trade and port is determined by its colonial past. The German Empire was colonial power in Namibia from 1884 to 1915 and brutally put down two popular uprisings of the Herero and Nama. Hamburg formed a logistical hub for military supplies during the genocide of the Namibian population. Using video mappings and interventions, eight artists from former colonies critically examine Hamburgs huge Bismarck statue and the way Germany's colonial history is dealt with.
Otto von Bismarck is one of the key figures in the colonization of Africa. And the huge Bismarck statue in the middle of Hamburg will be restored from 2020 to 2022 at a cost of around nine million euros. Thus it is currently at the center of the debate about how we shall deal with German colonial history as a society.
Funded by Fonds Darstellende Künste from funds of the Federal Government Commissioner for Culture and the Media, as well as in the frame of Kultursommer Hamburg.
“Decolony-cities”
Direction/Production: Yolanda Gutiérrez/ Management assistance: Lucia Lilen Heffner/ Dramaturgical advise: Judith Mauch/ Production Assistance: Valerie WittCorona-Hygiene / Supervisor: Joshua Raudies/ Kostüme: Yupanqui Ramos / Photo- & Videodocumentation: Igor SherbaGrapik design/ Videomapping: Dr. Calavera Videomapping Assistance: Stephanie Fenner Artists/ Dancers: Isack Peter Abeneko (digital aus TZ), Dolph Banza, Vitjitua Ndjiharine, Stone, Moussa Issiaka, Fabian Villasana aka Calavera, Chris Schwagga, Sarah Lasaki, Faizel Browny und Shabani MugadoInternship: Cristina Pauls (Uni-Augsburg/TUI München) Website: Uli Mathes
Coda
Costume design Styling, Performance / dance / installation, Duration: 35 minutes. DNSAP diplôme at Beaux-Arts de Paris (MFA). Beaux-Arts de Paris
Paris, France, 2020
In music, a coda (Italian for “tail”, plural code) is a passage that brings a piece (or a movement) to an end. Technically, it is an expanded cadence (a melodic or harmonic configuration that creates a sense of resolution.) Coda is a performance in trajectory that develops within collaborative actions to bring together a mass of collective energy. Each element guides the audience in a narrative that focuses on the concept of constriction as an active force to activate a cathartic release — A conjuration of defence that confronts the oppressive the forces linked to the space in which they manifest.
Performance by Felipe Vasquez with Anaïs Barras, Nini Hu, Camille Kingué, Tilhenn Klapper, Cassandre Muñoz and Artémis, the boa constrictor.
Original music composition by Sarah Davachi.
Costume design by Yupanqui Ramos, Headpieces by Yulong Song, Garments by Ignacia Zordan. Styling by Felipe Vasquez and Yupanqui Ramos.
Scenography by Felipe Vasquez with the assistance of Quentin Robillard.
Makeup by Louise Le Pape.
Woodwork by Moritz Schottmüller.
Sound management by Marc Lochner.
“Wearing your Stabs”
Costume design and executioner, Performance by Felipe Vasquez, Jardin de l’Arc de Torpanne Beaux-Arts de Paris, 29 June 2019.
Duration of approximately 40 minutes , Photography by Adrian Thibault.
“Banquet”
Costume Designer, Ceremonial Performance by Gabriel Moraes and Felipe Vasquez, École nationale supérieure des Beaux-Arts, Paris.
With the indispensable collaboration of : Anaïs Barras; Diane Chéry; Béryl Coulombié; Irene De las Estrellas;
Farid Kati; Lou Le Forban; Claire Orefice; Sacha Rey; Yulong Song
Chapelle des Petits-Augustins, 16 May 2018
Photography : Marine Bikard, Cesar Kaci, Daniel Nicolaevsky.